Rules:
- Must be following booksandhotchocolate (this is exclusive for my followers only)
- Reblog and like to have a chance to win some of the books above.
- 2 winners will get to choose 2 books from the selection above, Raven Boys is a signed book :)
- This will be available WORLDWIDE
- You must be willing to give your shipping address away to me.
- The winners will be randomly chosen through a random number generator
- Keep your ask box open so I can contact you if you win. Whoever will reply first gets to pick first.
- The winners have 24 hours to reply back to me via messaging (NOT fan mail)
- The giveaway ends May 20, 2013
- If you have any questions ask me here (I will not answer anon questions)
This giveaway ends on my birthday~
Really? Advanced happy birthday then :)
Anya Gallaccio‘s installation Red on Green may leave elicit a different reaction depending on when you catch the show. Gallaccio plucked the heads of 10,000 roses and arranged them into large neat rectangle. At first the installation may resemble a grand romantic gesture. However, Gallaccio’s interest is piqued by what the installation becomes. In a way Red on Green turns into a type of natural performance as the field of red shifts to brown. She utilizes the loaded symbol of the rose as a starting point for investigating the natural processes of death and decay.
Window Seat by Matt Low
Is it wonder? Wistfulness? Whatever it is we all know that feeling when gazing out the window of an airplane. Brooklyn-based photographer Matt Low shot this amazing series showing people in the window seat of a plane gazing out. In this series, called Window Seat, Low explores the universal fascination with looking down from a place far above. Explaining Window Seat, Low says, “The Window Seat series… is my attempt to capture on other peoples faces the feeling I have of being compelled to stare out of the window when I fly. I fly a lot… I find looking down endlessly fascinating–it’s one of the few times that I still get a thrill of child-like amazement… I like to think that on the inside, the people I capture have that feeling too.”
(Source: razorshapes)